My aim in setting up this blog is in exploring flats (zinnfiguren) as an art form. Once thought of as playthings, flats have evolved into very artistic pieces, created for and treasured by collectors. I prefer to explore flats in a contextual setting by putting them into shadow-box dioramas of artistic merit which can be reasonably contained within a manageable space. The chronology of this web blog will hopefully blaze a definite trail in this direction.
Sunday, 5 January 2014
Custer etc (Part 2)
Further details were painted on all the figures. The reason why I adopted a loose painting style was to create the chaos that would be present at a last stand. The swirling colours are like an impressionistic vision of the scene. I have added very large pics to show you the simple highlights and shading to achieve this effect.
Sunday, 29 December 2013
Custer and The Battle of Little Big Horn
I finally started to work in earnest on this delightful set from Braune. There are numerous figures with multiple poses for which one selects the pose and cuts off the alternative limbs. All figures were given a basic flesh undercoat. I regrouped the pieces to ease painting chores.
Red Indians were given a reddish brown wash over the flesh colour.
The first two pics show the complete set.
Flesh and off-white highlights were then added to build up the musculature and darker areas were painted with burnt umber. I adopted a loose painting style, alternately applying washes and impasto techniques.
This picture gathers all the troopers for ease of painting.
Detailed shots of the figures. Note the light blue highlights added to the jackets.
The horses are brilliantly engraved and their musculature is denoted by simple highlights and shading. Note the Custer figure.
Red Indians were given a reddish brown wash over the flesh colour.
The first two pics show the complete set.
Flesh and off-white highlights were then added to build up the musculature and darker areas were painted with burnt umber. I adopted a loose painting style, alternately applying washes and impasto techniques.
This picture gathers all the troopers for ease of painting.
The horses are brilliantly engraved and their musculature is denoted by simple highlights and shading. Note the Custer figure.
Sunday, 8 December 2013
Thursday, 5 December 2013
Baby Moses Scene III
I created rocky cutouts to add interest to the scene. After final painting of the scene and adding a few bullrushes in the river, the figures were bent upright to conform to the gradient and fixed into place. Although I had originally intended to add the river craft to the scene, the larger-scaled craft was not compatible with the smaller-scaled figures in the foreground.
Final scene with painted backdrop and rocky cutouts
Close up of the figures
The framed scene
Baby Moses Scene II
I made a shadow box from an ikea frame. A basic background of sky and river was painted and the foreground was built up and textured.
Sunday, 10 November 2013
Baby Moses Scene
I doodled more on this set, combining some Wilken and Braune figures. Following a wash of burnt umber, flesh highlights were added. The translucent clothing had pure white highlights added. The figures are near finalisation and I hope to create a framed scene soon.
Doodling some Egyptians
I gave most of my Egyptian figures a darker skin colour, except for Cleopatra who was of Ptolemic descent.
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