Some modest progress on this set. I cleaned them up and sprayed with white primer.
My aim in setting up this blog is in exploring flats (zinnfiguren) as an art form. Once thought of as playthings, flats have evolved into very artistic pieces, created for and treasured by collectors. I prefer to explore flats in a contextual setting by putting them into shadow-box dioramas of artistic merit which can be reasonably contained within a manageable space. The chronology of this web blog will hopefully blaze a definite trail in this direction.
Sunday, 22 February 2015
Wednesday, 21 January 2015
Grunewald Java set
Since I got hold of Mike Taylor's book flats about 8 years back, there was this one intriguing picture of some Javanese figures. There was also a short mention of these figures in one of the older BFFS journals.
When I contacted Grunewald about 4 years ago on these figures, they could not locate these figures as it was made so long ago.
More recently, I tried again and with some luck, Grunewald located the moulds and sent me the figures I wanted.
So here are the pristine figures for my proposed recreation of a Javanese gamelan and wayang performance scene.
When I contacted Grunewald about 4 years ago on these figures, they could not locate these figures as it was made so long ago.
More recently, I tried again and with some luck, Grunewald located the moulds and sent me the figures I wanted.
So here are the pristine figures for my proposed recreation of a Javanese gamelan and wayang performance scene.
Friday, 9 January 2015
Thursday, 1 January 2015
The Sacre
Sometime between Xmas and the New Year, I took out some of my flats to look at them.
The Sacre from Segom caught my attention and I continued to work on it. I had bought two sets and am working on both simultaneously.
Finished most of the figures except for the last picture showing the Empress, the Emperor, the Pope and the Princesses.
Finished most of the figures except for the last picture showing the Empress, the Emperor, the Pope and the Princesses.
Start to the New Year
This year, Xmas and New Year came and went so fast. I lit up my sitting room at night to enjoy the display.
Wednesday, 10 December 2014
Palm Sunday Diorama Finished
I fitted the frame, borders and glass cover over the diorama and placed it in my sitting room, lit at night.
Sunday, 7 December 2014
Palm Sunday Diorama 8
Following a short holiday, I went back to work on this diorama. Without realising it, I have almost completed it without taking photos of work in progress.
After the main temple and Antonia fortress building shapes were elevated, I added small cutouts to represent other buildings in the background. Small cutouts were also used to represent the walls curving behind the temple gate, most of which are obscured by the trees.
The final painting was carried out, first on the sky. The hills and groundwork were painted a lighter yellow ochre and the buildings were painted, including more buildings in the background.
The figures were staged and then added to the scene. When I framed the scene, I noticed that it was too low and I inserted a thick cardboard underneath to increase the height.
Close-up of the procession. Jesus and his disciples are greeted by crowds waving palm leaves.
Close-up of the upper gate and background. An enthusiastic follower has climbed up on the walls to show his support. Some of the cutouts and painted buildings can be seen to make a transition into the distance. I used an impressionist style to suggest the buildings.
I painted in some clouds to make the scene more dramatic and to cover up the shadow of the over-painted hill in the background.
When I tested the lights, the LED was too dim for such a bright sunny day and I substituted this with a fluorescent light.
After the main temple and Antonia fortress building shapes were elevated, I added small cutouts to represent other buildings in the background. Small cutouts were also used to represent the walls curving behind the temple gate, most of which are obscured by the trees.
The final painting was carried out, first on the sky. The hills and groundwork were painted a lighter yellow ochre and the buildings were painted, including more buildings in the background.
The figures were staged and then added to the scene. When I framed the scene, I noticed that it was too low and I inserted a thick cardboard underneath to increase the height.
I divided the crowd scene into two sections to make it interesting. On the right, there is a Sunday market scene outside the walls. Roman guards are posted all around to keep the peace. On the left, there is a group gathered around the procession when Jesus enters with his disciples.
Close up of the market section. The Roman centurion on duty is perplexed by the excitement of the crowd rushing off to see the procession. Notice the impasto effect of painting which suggests crumbling brick walls.
Close-up of the procession. Jesus and his disciples are greeted by crowds waving palm leaves.
Close-up of the upper gate and background. An enthusiastic follower has climbed up on the walls to show his support. Some of the cutouts and painted buildings can be seen to make a transition into the distance. I used an impressionist style to suggest the buildings.
I painted in some clouds to make the scene more dramatic and to cover up the shadow of the over-painted hill in the background.
Highlights were added to the trees. Green was added to suggest olive trees in the painting as well. More prominent shading was added to the figures to blend them into the scene.
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